By this I mean that we will no longer have a shut down system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, which is real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well set up for Origami.
Avion en papier
Origami Instructions Free Online Plan also shows the results graphically of moving away from the 'purest' form of Origami in each one of the eight directions. In some cases I possess marked the art as 'open-ended', for example paper-cuts.
Uchiyama is reported Bateau De Papier Origami as acquiring a patent in 1908 for 'KOKO'. style origami which appears to be the same in concept. Japanese books are filled with slitting to achieve ears or a tail or even legs. Perhaps one of the most recognized examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to provide enough points for the hip and legs. Rohm folded his Circus pony without cuts but the technique is then a lot more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to
Kent du Pre has done such focus on Symmetric figures such as stars from which flowers can be folded. Irregular figures have came out occasionally, however the most extreme form only occurs in Paper Magic with Rolf Harris's models. Silhouettes have zero restrictions in the Origami sense and are of course carefully related to paper slicing. In its simplest form cuts are made prior to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive thickness. The most recent mention of the techniques is by Toshie Takahama who refers Avion En Papier Tuto to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.
Inside a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons argument their wings. Modelling This is now usual in animal folds to call for a final modeling particularly when foil has been used and one can make sure of the materials remaining in place. A modern day example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to THREE DIMENSIONAL insists on any modelling following the folding The thought of wetting the paper seems to be Japanese in origin
was demonstrated by Yoshizawa at a Convention in Birmingham. Another method of damp moulding using paste in the preparation is talked about by Alice Gray the lady was shown it by Yoshizawa during a visit to Japan. The folds up tend to be gentle and are approaching sculpture rather than Origami.
Fleur en papier
The cutting out of holes etc. to indicate eyes and so on is sometimes found in Japanese books and we are obviously coping with technique which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Bateau De Papier Chanson Hugues Aufray Mon-Kiri (which means crest-making). Typically the last step in the slitting or cutting is paper-cutting, some of the finest examples are probably from China and evidently here we have an open-ended Talent. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its most basic form we might use glue, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or card. Probably the most unusual form of 'display mechanics' that I actually am knowledgeable about is by Toyoaki Kawai.
Bateau en papier
Typically the associated arts are Le Petit Bateau De Papier Chanson Weaving cloth and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The sheets of paper are folded together but usually opened at the end to show the multi-layers usually with different colours. In flower folding and possible doll-making the multi-layer technique is exploited for its own sake with little or no folding involved. Multi-Part Isao Honda (15) was probably the first to write techniques involving 2 separate sheets of document each folded to represent some part of the creature and then Fabriquer Un Bateau En Papier Maché brought collectively. The concept may well be traditional; if not in how Honda uses it - see for example the Pagoda in Paper Magic. Recently kits have appeared for folding a dragon from a amount of potager of different sizes.
Comment faire un avion en papier
Inside the most extreme combinations of water and papers we are, of course , in the world of fun which is obviously an open-ended art. DecoratingThe most basic step from the single coloring is one side colored and one white or plain. A great deal of modern Origami exploits this colour difference. A new delightful example is Joan Homewood's Robin. We can Comment Faire Un Bateau En Papier Simple use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which depend after deciding on the best pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design suited to an exclusive model. The end of this process is evidently the decoration of the final model and so into the decorative art proper which is open-ended. Lengthening By stretching our square we obtain rectangles then bow and finally string.